One of the pioneering figures of late Renaissance music was Vincenzo Galilei, a celebrated lutenist and composer. His son, however, was branded a heretic. The Church despised him. When he died, though his will asked to be buried beside his father in Florence’s Basilica of Santa Croce, the Catholic authorities refused — his ideas had crossed too many sacred lines.
Almost a century later, admirers exhumed his body, led by the antiquarian Anton Francesco Gori, and reinterred it in a grand mausoleum built by his loyal student Vincenzo Viviani. But not everything made the journey. Relic-hunters kept souvenirs: a tooth, a vertebra, and most famously, the middle finger of his right hand. Today that defiant finger still stands preserved in Florence’s Museo Galileo — just a fifteen-minute walk from his marble tomb in Santa Croce.
The heretic son was none other than Galileo Galilei.
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